Introduction:
The ability to write a great novel or play generally comes down to whether or not the characters are believable. Great authors throughout literature have been able to skillfully create characters through various methods. William Shakespeare is renowned for his ability to produce characters that readers are able to understand and even relate to. This ability has lead to his numerous masterpieces. In his play, “Hamlet,” Shakespeare utilizes numerous techniques to capture the essence of the various characters. More specifically, Shakespeare cleverly contrasts the elements of Hamlet’s and King Claudius’s speech publically versus privately in order to shed light on their outer persona and inner persona, respectively.
Hamlet and King Claudius drastically differ in their public speech patterns. Hamlet is very intelligent and uses short brief replies when discussing the proper period of time and manner by which a son should mourn for his father. When his mother tells him that death is common, Hamlet says, “ Ay, madam, it is common.” Indirectly, it seems that Hamlet is agreeing with his mother that “all that lives must die,” but in reality, Hamlet’s words are ironically intended to show that death is painful and requires great attention. Furthermore, even though Hamlet is careful to not reveal too much through his public speech, he still discloses his intention to fully mourn for his father and his dislike of King Claudius as his father via complex puns. Claudius asks Hamlet why “the clouds still hang on you.” Hamlet replies, “Not so, my lord; I am too much in the sun.” This pun on the word “sun” is very crucial. On the surface, Hamlet is saying that he is not mourning enough and that he should be buried in further darkness and isolation to properly respect his father’s honor. However, on a more complex level, Hamlet is saying that he is too much a “son” to deceitful Claudius. Thereby, Hamlet uses rhetoric to hide his intense hatred for Claudius’s and his mother’s actions. He is weary about Claudius’s true motives and his mother’s decision to quickly marry his uncle. However, he does not want to reveal his true feelings and thus, tries to keep his speech short and to the point, which demonstrates to the reader Hamlet’s cleverness.
Second Paragraph- outer persona of Claudius
King page 726: though yet of Hamlet out dear brother’s death the memory be green, and that it us befitted to bear our hearts in grief and our whole kingdom to be contracted in one brow of woe,
King page 728: ‘Tis sweet and commendable in your nature, hamlet, to give theses mourning duties to your father.
King page 726: With mirth in funeral and with dirge in marriage, in equal scale weighing delight and dole,
King page 727: the head is not more native to the heart, the hand more instrumental to the mouth than is the throne of Denmark to my father.
King 729: you are the most immediate to our throne
Third Paragraph- inner persona of Hamlet
Hamlet page 728: a little more than kin, and less than kind! ((hanmlets relationship to cladius has become more than kingship warrents; it has become unnatural. ))
Hamlet page 730: --frailty, thy name is woman
Hamlet page 730: she married. O,most wicked speed, post with such dexterity to incestuous sheets
Hamlet page 730: but break, my heart; for I must hold my tongue
· Hamlet’s Soliloquy
Hamlet page 730; O. that his too too solid flesh would melt…. His cannon ‘gainst self-slaughter! O God! God!
Hamlet page 733: My father’s spirit in arms! All is not well; I doubt some foul play: would the night were come!till then sit still, my soul: foul deeds will rise, though all the earth o’erwhelmm them to men’s eyes.
Fourth paragraph- inner persona Claudius
King page 729: The survivor bound in filial obligation for some term To do obsequious sorrow: but to persever in obstinate condolment is a course of impious stubbornness; ‘tis unmanly grief; it shows a will most incorrect to heaven